Gerusalemme (Jerusalem) was an important stage in Mondino's artistic path, because it led him to rediscover the Jewish roots of his mother's family, bringing to light a world and a tradition he possessed only inwardly and which, from then on, he could tell through his art with his usual irony. The form and meaning of Mondino's sculptures are often generated and shaped by the artist's short-sightedness: unable to recognise the outline of objects from afar, he often ends up overturning them, giving life to unique and somehow magical works. During his stay in Jerusalem he approaches the Western Wall and his gaze lingers on a “strange plant with black flowers”. Only when he comes closer does he discover that those flowers are in fact hats hung on a palm tree by some rabbis. Back in Italy he decides to make Gerusalemme, a bronze sculpture which, drawing also on certain Dadaist influences, manages to bring Judaism to life through everyday images of clothes and hats, thus expressing his freedom even before religion.